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How To Set Shutter Speed On Canon Rebel

A dirt-bike speeds through a puddle, creating a spray of water.

SHUTTER SPEED

How to main shutter speed

Changing your camera's shutter speed is one fashion to adapt the overall exposure of an image. But it also has creative uses, assuasive y'all to control the amount of mistiness (or lack of it) in your images.

Here are v tips to aid you get to grips with shutter speed and accept more control over your activeness photography, whether you lot're shooting a schoolhouse sports day with an EOS M mirrorless camera or motorsports with an EOS DSLR.

i. Control the shutter speed

The screen of the Canon EOS 90D showing the Tv (Time Value) settings.

To have direct control of the shutter speed, set your camera to Shutter Priority (or Tv, which stands for Time Value).

The majority of EOS cameras accept a 'Sports' Special Scene Mode that will automatically fix upwardly the camera'southward exposure and focusing settings for shooting moving subjects. This volition give you great results, but you lot can take more than control when you want to get creative, produce a particular effect or adjust for the specific circumstances, such every bit when you're shooting a fast-moving subject handheld from a altitude.

To take directly control of the shutter speed, set up your camera to Shutter Priority (or Goggle box, which stands for Fourth dimension Value). You can then set the shutter speed by rotating the camera's main dial, or past using the touchscreen that'south available on many EOS cameras, including the Canon EOS M6 Mark II and Catechism EOS 90D. Your camera will automatically adjust the aperture to produce a standard exposure. The top shutter speed on an EOS camera is either 1/4000 sec or 1/8000 sec, and the longest automatically-set shutter speed is 30 seconds.

two. Avoid camera milk shake

A zoomed-in shot of a surfer blurred by camera shake

The more you zoom in on a discipline, the more noticeable whatever photographic camera milkshake becomes, so you'll need a faster shutter speed to minimise it. The image in a higher place, taken at one/fifty sec, shows articulate photographic camera shake. The i below shows frozen activity and was taken at 1/640 sec.

A sharp shot of a surfer in action.

At that place are 2 things to think about when you're choosing the shutter speed: whether information technology is fast enough to avoid mistiness due to camera move when you lot're shooting handheld – also known as 'camera shake' – and how rapidly the subject is moving.

The shutter speed you need to avoid camera shake depends on a number of things, including whether you are using a lens with a congenital-in IS (Image Stabilizer) and how windy it is. But the focal length of the lens is the nigh of import gene. The more than you zoom in, the more than noticeable any shake becomes.

A general rule to eliminate this problem is to try to use a shutter speed that's equivalent to the constructive focal length or faster. And then with a 50mm lens setting, utilize 1/50 sec or faster, and with a 200mm lens employ 1/200 sec or faster. Then you demand to cistron in the speed of the field of study – read on!

3. Capture action with fast shutter speeds

A low-angle shot shows a man in the air as he runs on a rocky beach.

While a shutter speed of one/250 sec will freeze a slow-moving subject, such as a person walking, you'll need faster shutter speeds to get a sharp shot of a person running.

The shutter speed required to freeze a moving subject area depends on the distance information technology is from the camera, the management it's moving and its speed, simply you'll probably need a shutter speed faster than you might think. A shutter speed of ane/250 sec will freeze a slow-moving subject, such as a person walking, while shutter speeds in the region of one/500 to 1/g sec may be needed to freeze a person running. You'll have to go every bit high as 1/chiliad or even 1/4000 sec for sharp shots of faster subjects such as flight birds and speeding cars.

Compare these shots of a moving motorbike. Yous can see that the wheel and rider are blurred at a shutter speed of 1/200 sec, giving a groovy general impression of motion just non capturing item, while all the details are abrupt and the action is frozen at ane/1000 sec.

A blurred shot of a rider on a dirt-bike, the background in focus.

At a shutter speed you'd retrieve is pretty fast, 1/200 sec (in a higher place), this shot creates a great impression of the moving subject speeding past without capturing the detail of the bike or rider. At 1/thou sec (beneath), this shot freezes the activeness.

A sharp shot of a rider on a dirt-bike in motion, the background and rider in focus.

Be prepared to increment the ISO setting and then that you can utilise faster shutter speeds, especially when you're photographing sports and wild animals.

4. Go artistic with panning

The downside of freezing the action can be that it doesn't await similar action any more. Pictures of moving subjects often wait more dynamic if the subject is precipitous merely the background is blurred. To reach this effect, make sure the shutter speed is slow plenty to requite you some blur, and then move the camera with the subject area, at the same speed as it's moving. This is called panning.

A sharp rider on a dirt-bike, with foreground branches and background scenery both blurred.

Panning your camera to follow moving subjects produces a blurred background, making the activity expect more dynamic.

The shutter speed y'all need to utilise volition depend on how fast the subject is moving and how much blur yous desire. To improve your chances of getting the discipline sharp, set the AF mode to AI Servo or Servo, as this will let the photographic camera to constantly adjust to keep the moving subject in focus. A lens with a built-in optical Image Stabilizer will compensate for any vertical 'shake' as you pan the photographic camera horizontally and vice versa. If your lens has an IS mode switch, ready this to position 2 for panning shots – in this setting, it volition stabilise vertical motion but let blur caused by horizontal motion.

five. Use slow shutter speeds to blur motility

A man stands on rocks by the coast, with the moving waves blurred and softened by a long exposure.

With the camera on a tripod to go on information technology still, using a long exposure (tiresome shutter speed) ways anything in motion – such as the waves – will be blurred.

You can use a relatively long exposure – longer than a 2d, say – to intentionally blur a picture. To prevent this overexposing the shot, though, you'll need to use a narrower aperture setting (higher f-number, such equally f/16 or f/22), a lower ISO setting, or an ND filter to limit the amount of calorie-free entering the camera. At present you can either move the camera during the exposure (which will blur the whole photo) or apply a tripod to keep the photographic camera stationary and so that only the moving parts of a scene are blurred. Try the latter technique to soften waves and flowing water in a landscape, or to blur moving vehicles and crowds of people in a city scene.

For exposures longer than thirty seconds, utilise Seedling mode. Some Canon cameras have a 'B' setting on their mode dial, while others demand to be set to 'M' (Manual) earlier you can scroll through the shutter speeds until 'Bulb' is displayed. A remote timer or wired remote can be useful, to eliminate the risk of jarring caused by pressing the shutter button. You could also consider using the Canon Camera Connect App to control your camera remotely from your smartphone.

Written past Marcus Hawkins

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Source: https://www.canon-europe.com/get-inspired/tips-and-techniques/how-to-use-shutter-speed/

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